Logan Cascia, director, began producing films at a young age with a Digital Blue Camera. He became a producer of his high school’s cable television station, GBS-TV, in Glenview, IL. Logan won the HERO award at the Australian My Hero Film Festival for producing Anatommy, an inspiring film about a blind boy who overcomes daily odds. The Chicago International Childrens’ Film Festival also featured the film. In 2010 Logan won “Best Student Work” for Railjam from global visual effects company, CoreMelt. Logan shoots and edits videos for UW-Athletics and the Badger Herald, UW-Madison’s student newspaper.
Greg Ellis, producer, built a full recording studio called ER Studios during his freshman year at UW –Madison, where several albums have since been recorded. In the same spirit of his music venture, he pursuaded Logan to adopt an entirely new High Definition production setup. Greg acquired cameras, audio equipment, camera cranes, camera dollies, lighting, and lenses to take the production company to a new level. Holding an extra-class ham radio license from the FCC since age 16, he has an ear for audio and eye for technology. Greg met Logan during his first semester at UW-Madison, where they later decided to form a film partnership. Greg is an assistant camera operator during productions.
Logan Cascia, director, began producing films at a young age with a Digital Blue Camera. He became a producer of his high school’s cable television station, GBS-TV, in Glenview, IL. Logan won the HERO award at the Australian My Hero Film Festival for producing Anatommy, an inspiring film about a blind boy who overcomes daily odds. The Chicago International Childrens’ Film Festival also featured the film. In 2010 Logan won “Best Student Work” for Railjam from global visual effects company, CoreMelt. Logan shoots and edits videos for UW-Athletics and the Badger Herald, UW-Madison’s student newspaper.
Greg Ellis, producer, built a full recording studio called ER Studios during his freshman year at UW –Madison, where several albums have since been recorded. In the same spirit of his music venture, he pursuaded Logan to adopt an entirely new High Definition production setup. Greg acquired cameras, audio equipment, camera cranes, camera dollies, lighting, and lenses to take the production company to a new level. Holding an extra-class ham radio license from the FCC since age 16, he has an ear for audio and eye for technology. Greg met Logan during his first semester at UW-Madison, where they later decided to form a film partnership. Greg is an assistant camera operator during productions.